Here’s another video demo I made during a Zoom guitar lesson with a student who was learning “Here’s Where the Story Ends,” by The Sundays. I love the chords in this song, and came up with a few optional new voicings to add to the basic version from the recording.
In a recent Zoom guitar lesson, a student who was interested in fingerstyle guitar in the style of Chet Atkins asked about “Landslide,” by Fleetwood Mac. He already could play the accompaniment pattern on the record, so I suggested figuring out how to play the vocal melody on the guitar. After all, Chet could play pretty much any tune over the chords, so why not? It turns out there are a couple of different ways to fit the melody over the chords while staying in the original open position fingerings, so I thought I’d share what we came up with. If you’re looking for a Zoom guitar teacher, please feel free to reach out!
I was working with a student during a Zoom guitar lesson a few weeks ago, and he requested a soundtrack song from the movie “Drive.” He was apologetic, since it didn’t have guitar, but could we look at it? Of course! Adapting non-guitar songs is one of my favorite activities, and I’ve been doing it since I was 13. It’s just music. If it has notes and chords, you can probably play a version of it on guitar. No apologies required : )
I made this demo during a Zoom guitar lesson, for a student who was learning the fretboard. Here, I’m talking about two systems for moving your chord shapes all over the guitar neck.
I make video demos for students during our Zoom Guitar Lessons – in this one, we practice switching between pairs of chords. It’s a play-along, so try to keep up for all 15 minutes!
I’m so proud of all the student performers this past weekend! It was a great return for the Coffee Shop Jam, this past Sunday June 24, 2018 at Local Burger in Keene, NH.
The Coffee Shop Jam is an informal performance opportunity I organize for my students, and this time around, we had 12 student performers who played guitar and ukulele.
Some students performed totally solo, some played duets with me. At the end, we played a couple of big group songs.
The Coffee Shop Jam gives students an exciting (and scary) goal to work toward, and based on everybody’s feedback, a blast was had by all.
The next event isn’t scheduled yet, but I’m aiming to do it again in the fall, possible in October. Keep practicing, everybody!
Here’s the song list from last Sunday:
Closing Day (original)
Folsom Prison Blues
You’ve Got to Hide Your Love Away
WI & TD, guitar
Take Me to the Water (original)
Tell Me The Future (original)
NT & TD, guitar
Make It With You
JM & TD, guitar
Coal Miner’s Daughter
Take Me Home, O Hawaii (original)
SH & TD, ukulele
JS & TD, guitar
Safe & Sound
OS & TD, guitar
Message in a Bottle
KB & TD, guitar
LK & TD, guitar
Johnny B. Goode
Everybody, guitar & ukulele
Lenny was inspired by Chet Atkins and developed a magical sounding technique of playing cascading artificial harmonics over jazz chords. Ted picked up the harmonics technique from Lenny, studied fingerstyle jazz with a fella named George Van Epps, and dove deep, deep, DEEP into harmony and chord voicings on the guitar.
I’ve been digging into Ted’s books “Chord Chemistry” and “Modern Chord Progressions,” and have spent several weeks now rediscovering chord scales using various fingerings suggested therein. But it’s playing them fingerstyle, rather than strumming, that’s really made them come alive for me recently.
I’m just kinda taken with the sound of 4-note chords, where you play the notes simultaneously by plucking with your thumb and fingers. I’ve always liked the balance you can achieve this way, where all the notes of the chord appear at the same volume and your ears weigh them all together.
Then you move horizontally up or down the chord scale, and maybe break them up into pairs of notes on each chord, and it generates melodies – melodies that were always there in the chords.
I’m not really dealing with all possible chords interacting yet, I’m staying pretty diatonic. Just sifting through what’s there, like studying the layers of the Earth’s crust. Maybe this diatonic phase of my musical study should be called “Chord Geology.”
Guitar Center’s website has great cheap gear on their used page, but it’s a little convoluted to check out. Easy to get frustrated, so here’s a walk-through.
Let’s say you want a Digitech RP155 multi-effects unit (hundreds of cool sounds, editable via USB).
Go to the Guitar Center Used Gear page.
Search for RP155
They’re going used for $25 (?!!) to $50.
If you’re lucky, you’ll find one with a power supply, because it will only work with Digitech’s 9v power supply, and will fry with any other. If no power supply is included, count on an extra $15 to buy one.
Found one you want? Awesome, let’s check out.
Choose item, select and copy the item #.
Then go back to the Guitar Center main page and search for that item #. If available, item will appear and you can “add to cart” and checkout, paying shipping. If you need a power supply, add to cart, keep shopping, then check out.
It’s super annoying that it seems you can’t order directly from the Used page, but on the other hand, it’s cheap stuff that works. Can’t really complain. Happy shopping!
Originally posted in 2013. Big congratulations to my student Robert Hamill, who spent the summer of writing and recording a 5-song EP, titled False Souls. We made the record in my home studio, and decided to place the spotlight on Robert’s acoustic guitar, voice, and original indie-folk songs, with flourishes of electric guitar and keyboard, plus a saxophone solo, all played by Robert.
Along the way, I programmed beats on a couple of songs, engineered, and provided overall production guidance, mainly as a sounding board and facilitator for Robert’s own production ideas. Please have a listen using the jukebox embedded above.
Hamill just performed at the Keene Music Festival for the first time, and is off to Boston for college this fall. This project was a great conclusion to two years of working together studying alternate tunings, chord theory, R&B, blues, and indie pop. Best wishes to you, Robert!
When I was twelve, I learned many of my first chords from a book called The Beatles Fakebook. It had dozens of songs by my favorite band laid out simply: one song per page. I thumbed through the book endlessly, trying out songs that looked easy, eking my way through harder ones. It was inspiring. I got hooked and requested guitar lessons. The rest is history.
Beginners today spend a lot of time online, looking up free “tabs” for songs. There’s reason for concern about the accuracy of user-submitted tabs, but here’s an observation I think is more to the point: the more time you spend hunting for songs online, the less time you spend playing your guitar.
Go Old School: Read A Book
I suggest buying a few songbooks. They’re generally MUCH more accurate than user-generated materials at free tab sites, they’re not expensive, and once you have it on your bookshelf, you can explore new songs whenever you want and focus your free time on actually playing, rather than searching.
Songbooks also help you sidestep the risk of what my former student Todd calls “the Youtube lateral drift,” where you start out looking for useful tutorials and end up watching funny cat videos.
These are often called “fakebooks,” but in my opinion, there’s nothing fake about making good-sounding music quickly and easily. Each song has chord symbols and lyrics. No piano arrangements, no page turns. Each song fits on one or two facing pages. You can find books devoted solely to songs by Adele, books focused on Green Day or Bob Dylan, and also collections that span multiple artists grouped by genre.
Tab books are oriented toward more technical playing. Folks interested in riff-based music, in fiddle tunes, in guitar solos should look here. Tab is a form of music notation that uses six horizontal lines to represent the guitar strings, and numbers to tell you what fret to play, plus a variety of squiggles and abbreviations to indicate bends, hammer-ons and pull-offs. You can get beginner “easy tab” versions of your favorite songs, or you can get the more advanced “recorded version” transcriptions which show every move Jimi Hendrix made on “Purple Haze,” in detail.
Here’s my list of guitar book recommendations, including some instruction manuals and some songbooks.
I encourage students to use the Internet to help with learning. There’s a lot of great free material out there, including videos, chord charts and tabs. I create some of it myself, and I’ll consult it when I’m in a hurry.
The search for these materials, however, can take up more of your time than it ought to, especially considering the questionable accuracy of what you’ll find.
I say, cut out the middleman. Pick out a few good books and spend your time playing!